The CSRC-organized exhibition Home—So Different, So Appealing was mentioned in the University of Washington Press Blog for its excellent reviews in ARTnews, Cuban Art News, The New Yorker, and the Los Angeles Times.
Home—So Different, So Appealing artist María Elena González’s Magic Carpet was installed by Tellus Build.
In a San Antonio Express-News piece discussing recent book releases, the CSRC is mentioned for its Latina/o sci-fi anthology Altermundos: Latin@ Speculative Literature, Film, and Popular Culture, published by CSRC Press.
Insider, LACMA’s quarterly donor magazine, showcased the museum’s participation in the Getty-funded arts initiative Pacific Standard Time: LA/LA. Three of five exhibitions are now open at LACMA, including the CSRC-organized exhibition Home—So Different, So Appealing, as well as Playing with Fire: Paintings by Carlos Almaraz, and A Universal History of Infamy.
Home—So Different, So Appealing was featured in DAMN° Magazine’s calendar of exhibitions. Home is currently on display at the Los Angeles County Museum of Art through October 15.
CSRC director Chon Noriega writes about the recent fascination with Unabomber Theodore (Ted) Kaczynski. Noriega relates Home artist Daniel Joseph Martinez’s work “The House America Built,” modeled after Kaczynski’s cabin with the eight-episode TV special Manhunt: Unabomber premiering on the Discovery Channel August 1.
CSRC director Chon Noriega is quoted in a piece discussing the CSRC-organized exhibition Home—So Different, So Appealing currently on display at LACMA through October 15. This is the first of five shows LACMA will host in conjunction with the Getty funded arts initiative Pacific Standard Time: LA/LA.
Hyperallergic featured a review of the CSRC-organized exhibit Home—So Different, So Appealing. The review discusses many artworks in the show, including those by Guillermo Kuitca, Livia Corona Benjamin, Leyla Cárdenas, Abraham Cruzvillegas, Daniel Joseph Martinez, Vincent Valdez, and Julio César Morales.
The CSRC-organized exhibition "Home—So Different, So Appealing" was featured as a critic’s pick in ARTFORUM. Reviewer Andy Campbell named CSRC director Chon Noriega as one of three curatorial experts within the field of Latin American and Chicanx/Latinx who helped bring the show together. (Pepón Osorio, "Badge of Honor," 1995, installation view)