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February 27, 2017

The Museum of Latin American Art (MOLAA) has published a catalog to complement the exhibition Dreamland: A Frank Romero Retrospective, on view February 11, 2017 – May 21, 2017. The catalog and exhibition include Romero’s Family Car with Dog, 1992, from the CSRC’s collection.

February 21, 2017

Hermosa Journal mentioned the CSRC’s fundraising campaign in conjunction with UCLA Spark for the exhibition Home—So Different, So Appealing, part of the Getty Foundation’s Pacific Standard Time: LA/LA initiative. 

February 13, 2017

The CSRC-organized exhibition Home—So Different, So Appealing was featured in a piece from regarding artist María Elena González. Her work will be featured in Home as well as in her first solo gallery exhibition at Hirschl & Adler on display through March 18.


February 2, 2017

Crowdfunding for "Homecontinues, UCLA scholars address Trump policies, "Becoming Mexipino," fellowship and grants opportunities, and more in this month's newsletter! 

(Image: "Shred Your Worries" by Raphael Montañez Ortiz)

January 29, 2017

An essay by CSRC director Chon Noriega is cited in a piece about the misconceptions created when scientific nomenclature is used to discuss and critique art.

January 13, 2017

Reforma discusses the bilingual newspaper La Raza, which captured the Chicano movement through powerful photos taken in Los Angeles between 1967 and 1977. The CSRC is mentioned for its collection of 25,000 digital images from the publication.  

January 11, 2017

The CSRC is mentioned in Time Out as one of several institutions participating in the LA Art Show and the Getty initiative Pacific Standard Time: LA/LA, which highlights Latin American artists across Southern California.

January 11, 2017

The Hollywood Reporter put a spotlight on several upcoming art shows in Los Angeles, one being the LA Art Show, which showcased several institutions participating in Pacific Standard Time: LA/LA, including the CSRC.

January 11, 2017

The UCLA Newsroom reported on  CSRC associate director Charlene Villaseñor Black’s receipt of a $35,000 grant from the Albert and Elaine Borchard Foundation to organize an international colloquium titled “Renaissance Futurities: Science, Art, Invention.”

January 11, 2017

The Los Angeles Times reported on the new slate of on-site programming from eight Southern California art institutions, including the CSRC, at this year’s LA Art Show.