The exhibition Axis Mundo: Queer Networks in Chicano L.A., now on view at ONE Gallery and the MOCA Pacific Design Center, was featured in an article in Vice about queer Chicano art.
The Wall Street Journal surveyed Pacific Standard Time: LA/LA and mentioned the CSRC-organized exhibition Home—So Different, So Appealing as “essential on anybody’s PST list.”
Home artist Camilo Ontiveros discussed his sculpture Temporary Storage: The Belongings of Juan Manuel Montes in a profile in the Los Angeles Times. The artwork draws attention to those affected by the repeal of DACA.
CSRC director Chon A. Noriega was quoted in a piece discussing Chicano Male Unbonded, an exhibition of photographic portraits by Harry Gamboa Jr.
The CSRC was mentioned in The New York Times in a preview of La Raza at the Autry Museum of the American West.
An issue of Artforum Dispatch featured the magazine’s Critics’ Pick of Home—So Different, So Appealing. Click here to read the complete review.
The Los Angeles Times reported on the launch-week press conference for Pacific Standard Time: LA/LA. Home—So Different, So Appealing artists Carmen Argote and Abraham Cruzvillegas spoke on the event’s artist panel.
LAist interviewed CSRC director Chon A. Noriega about the links between art and activism throughout Pacific Standard Time: LA/LA.
A press release from Gallery Wendi Norris congratulated Home artists Julio César Morales and Miguel Angel Ríos for their inclusion in the Getty’s Pacific Standard Time: LA/LA.
Artist Laura Aguilar was featured in an interview of several Pacific Standard Time: LA/LA artists whose art is inspired by their identity.