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December 15, 2017

Inside the MFAH, a blog published by the Museum of Fine Arts, Houston, featured Home artist Daniel Joseph Martinez discussing his two monumental installations that bookend the exhibition: the west bank is missing: i am not dead, am I and The House That America Built.

December 14, 2017

Art critic Max Benavidez named the CSRC-organized exhibition Home—So Different, So Appealing one of the best exhibitions of the year

December 14, 2017

Terremoto featured a review of the CSRC-organized exhibition Home—So Different, So Appealing. The story includes photos of the exhibition at LACMA.

December 12, 2017

CSRC associate director Charlene Villaseñor Black was quoted in an article about a popular annual pilgrimage from Palm Springs to Coachella to celebrate La Virgin de Guadalupe.

December 8, 2017

CSRC director Chon A. Noriega was interviewed for a story about the CSRC-organized exhibition Home—So Different, So Appealing, which is currently on view at the Museum of Fine Arts, Houston through January 21, 2018.

December 6, 2017

The CSRC-organized exhibition Home—So Different, So Appealing, on view at the Museum of Fine Arts, Houston through January 21, was featured in a listing of current art exhibitions in Texas.

December 4, 2017

CSRC Press releases the exhibition catalog for Home—So Different, So Appealing, CSRC holds its annual holiday book sale, Charlene Villaseñor Black discusses on public radio Coco and the commercialization of Día de los Muertos, plus graduate student and visiting scholar fellowships and more, in this month's newsletter!

December 2, 2017

The CSRC-organized exhibition Home—So Different, So Appealing and Home artist Abraham Cruzvillegas were mentioned in an article discussing Art Basel Miami Beach 2017.

December 1, 2017

CSRC director Chon A. Noriega was mentioned in an article on Harry Gamboa Jr.’s exhibition Chicano Male Unbonded. A portrait of Noriega is featured in the exhibition, which is on view at the Autry Museum of the American West through August 5, 2018.

December 1, 2017

Amalia Mesa-Bains was interviewed for the Museum of Fine Arts, Houston’s blog Inside the MFAH. She discusses her installation Transparent Migrations, which is on display in the CSRC-organized exhibition Home—So Different, So Appealing.

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